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broadcast
journalism

1. Podcast

I also run a Instagram prompting my conversations because broadcasting episodes isn't only about the quality of the work but how well you promote it.

Using Soundtrap, I edited my episodes, adjusting the tone and setting in addition to cutting the audio clips so they flow.

I had a spreadsheet including ALL current and former lawmakers who were still alive. Next to their name was their contact information, and I went down the list emailing them or their offices. While it took hundreds of hours, I enjoyed it because it brought be closer to understanding government and hearing with politicians' stories.

My conversations with Cabinet Secretaries, Governors, Senators and Representatives are on Spotify, Apply Podcast, Google Podcast and other platforms.

For my first conversation, I talked with Rep. John Curtis (R) of Utah about how friendships in Washington transcends party politics and how he hopes fellow Republicans can join him in tackling climate change. He also talks about his experience working in Washington, favorite things to do and stories about living in Taiwan.

Senator Hank Brown smiles, “I’m from Colorado, but I went to high school near you in Menlo Park!” He explains how the Bay Area’s unchecked suburbanization in the 50s prompted him to preserve Colorado’s open space. “In Congress, I also authored the American Trails Act, a system spanning coast to coast. They all came from my California experience.” His story highlights politics’ importance and politicians’ down-to-earth nature, characteristics I wanted fellow young Americans to realize.

After the contentious 2020 election, I saw my peers’ hope in politics dissipate. An optimist and avid political follower, I hurt seeing their despair. I wanted them to realize our raucous democracy’s possibilities. I wanted to bridge America’s political divide for them. I wanted to do something, anything. 

Pondering, I recalled how public officials' dedication to service awed and inspired me. If I could help others see that first-hand, I could rekindle interest and trust. Acting on that fleeting vision, I started the podcast Redefine Politics to hold earnest conversations with civil servants about partisanship and polarization. My efforts began with finding and emailing thousands of politicians. While most forgot or rejected my requests, I persisted, eventually connecting with eight Cabinet Secretaries, Governors, Senators, and Representatives. Publishing conversations with Spotify's Anchor and promoting them through social media, my podcast gained hundreds of followers from California to Mississippi, Germany to Taiwan—bringing politicians' stories to thousands of global citizens.

Through my podcast, I was able to connect and better understand our political world. While it was tremendously difficult to find people to interview, I was able to understand the intricate details of contacting journalistic sources. A reason why I decided to interview public officials was because of my journalistic experience. I knew how to interview people and could use a podcast as a way to further my journalistic skills while tackling partisanship. I felt this was the perfect way to bridge my two interests.

To produce my podcast, I used a lot of the skills that I had learned in the Epic. After I had found an interviewee, I had to carefully research their backgrounds. This form of broadcast journalist research is very similar to written journalism, but I had to plan it even more. Because my format was a podcast and not an article or even video, I had to make sure everything flowed from one point to another, as I couldn’t splice and move everything around, as it wouldn’t sound logical. That was why I had to think of the right order of what to ask questions in, so I could present a cohesive and logical story.

To do that, I utilized a chronological story-telling format. I drafted questions based on their life experiences, starting from childhood and then moving through mid-life to their time in public service. Then I asked about their general takeaways. I drafted over 20 questions for each person, along with a general list for all interviewees, and I researched fun facts about them, which could lead to special and unique stories that wouldn’t be able to be discovered on the internet.

To record my conversations, I set up different meeting formats. Sometimes I Zoomed them while other times, we had phone calls. During Zoom meetings, I could easily set up and just press the record button. However, in case my computer crashes or the memory is erased, I always record a copy with my phone or iPad. Similarly, for phone calls, I would record two copies on my other devices. Afterward was the most significant and tiring work. I would transfer my recordings to Soundtrap, where I would edit the audio clips for clarity, phrasing and tone. For example, sometimes, the guest or I would stutter, so I would edit it out. Additionally, there may be repetitive information or those that aren’t really important, so each of my episodes isn’t that long. However, many are still 40 minutes plus because there is just so much information to include! I also edit the tone of the recording by adjusting the Soundtrap system sounding to “podcast.” That makes the tone warmer. Additionally, to get rid of background noise and enhance tone quality, I would adjust the Equalizer, which targets specific pitch levels.

Afterward, I would upload my file to Spotify’s Anchor to be published. Anchor provides a lot of resources that make the podcast a lot better, like background soundtracks. I selected royalty-free theme music for all my episodes and adjusted the sound so it doesn’t make the conversation more full and relaxing. With Anchor, my podcast is distributed to half a dozen of platforms including Spotify, Apple Podcast and Google Podcast. To brand my episodes, I write a short description to intrigue listeners, also creating a post to promote the episode. Broadcast or podcast journalism isn’t only about the actual recording and creation process. In my opinion, it is also about branding, promotion and distribution. That is key, and that is why I pay attention to a lot of details to make sure that the product is the best that it can be. That is why listeners are willing to come back and again to listen.

Redefine Politics

listen to my conversations at

2. Videos

AAPI Rally

A video project that I did was about a local Stop AAPI Hate rally. Before the event, our web editors asked if I could make a short video about the event so we could fulfill our SNO Distinguished Site requirement, so I said yes! It was a great experience because this video was part of a package with my written article covering the event, which was published the day after. I wanted to provide new information to my audience while connecting the theme of racial unity. That was why I went to the event taking a lot of footage. Because we were in the middle of the pandemic and I didn’t have access to a high-quality film camera (photo cameras aren’t that great for videos), I shot with my phone.

I was able to meet and interview many elected officials, including a congresswoman,  county sheriff, mayor, state senator, state assemblyman, district attorney and local school board member. Because I had already included many of my interviews in my story, I wanted to highlight other conversations.

I started the video with a beautiful rhythmic drum performance, something I mentioned in my article. However, readers didn’t get to see or hear it, so I decided to include it because it was very powerful, as it showcased cultural heritage and unity. Then I included the powerful speech of state Senator David Cortese, in which he urged community members to cheer for racial harmony, “Love not hate.” While he talked, I included many of the scenic shots that I got, including a panoramic video of the vast size of the event, people clapping and more. Then, I transitioned to my one-on-one interviews with County Sheriff Laurie Smith and former Cupertino Mayor and Foothill-De Anza College Board Member Gilbert Wu to share their perspectives. The Sheriff talked about her pledge to fight AAPI Hate, and the board member shared his personal story of facing mockery for being Asian when he was in primary school.

Through this experience making the video, I realized how powerful videos and broadcast journalism can be because you can showcase the people telling their own stories. It comes from their interviewee’s own mouths with their tone and voice, which is incomparable.

Halloween

Before Halloween 2021, our paper did an SFS makeup Youtube video, and for that project, I helped out our new staffers by filming the project. For 2 hours, I used our DSLR cameras to film them put on makeup. Using two angles, I did a wide shot that was kept on running, and I also handheld another camera, filming individuals putting up the makeup. It was a great experience as I learned how to better film and capture people’s actions from unique angles. Using my footage, the young staffers edited and published the video, which was on Youtube.

Cookoff

Way back in December 2019, I did my first filming project for the Epic by participating in a Holiday Cooking Contest. My partner Claire Chiu and I went up against two others to create a dish. We decided on making Honey Chicken Moffles (Mochi Waffles). To capture our cooking, I set up the cameras on a tripod and filmed as we prepared ingredients and cooked the dish. While Claire was cooking and moving around, I maneuvered the tripod to capture her actions. Filming was a challenge, as I often had gloves on and my hands were really dirty, but I was able to balance the work by setting up the tripod at an angle that can capture all of the action in a close-up way, which highlighted our hand’s actions and also see the food. With the footage, Claire edited the footage to create the cookoff video. While we lost the cookoff 2-1, I think that our honey crispy fried chicken with moffles was delicious!

Editing Broadcast Journalism

With my experience of editing and filming videos, I know also help others plan their video project. This year as Editor-in-Chief, our publication introduced a new outline and tracker for video planning and video progress. It includes sections for the introduction, content and conclusion, along with how transitions will work, when to have special features, when to have subtitles, when to include music and when to have animation. As the editor, I help filmers and video editors plan what they want to do, suggesting what angle would be cool to shoot at and what animations to include when.

Our new Storyboard allows staffers to outline what they want to include in each video shot or podcast section.

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